![]() "After a jaw dropping set that ended on a cover of Siouxsie and the Banshees’ ‘Slowdive’, one thing is fairly certain: Leeds’ relatively small Cockpit venue. now reproduced as "Disco Infiltrated: An Early LCD Soundsystem Interview". LCD Soundsystem tore through a set which opened with ’Beat Connection’ and included ’Daft Punk Is Playing At My House’ as well as a cover of ’Jump Into The Fire’ by Nilsson and ’Slowdive’ by Siouxsie and The Banshees. Archived from the original on 22 July 2015. "WTSH interviews with Neil Halstead and Simon Scoot of Slowdive". "Siouxsie and the Banshees: 10 of the best". "Slowdive – Siouxsie and the Banshees | Listen, Appearances, Song Review | AllMusic". " A Kiss in the Dreamhouse – Siouxsie and the Banshees | Songs, Reviews, Credits, Awards | AllMusic". “Slowdive” was a consistent part of LCD Soundsystem's live set in 2005, serving as the show closer. "Slowdive" was covered by LCD Soundsystem in January 2005 for an XFM radio session and was also released as the B-side of their " Disco Infiltrator" single. The title of the song inspired the name of the band Slowdive in the early 1990s, as later confirmed by the latter's members in interviews. The song's release on 12" vinyl included an extended version (which would be released on the expanded, remastered edition of A Kiss in the Dreamhouse in 2009) and an instrumental version of the third track on Dreamhouse, "Obsession", titled "Obsession II". ![]() The song just missed becoming a top 40 hit, peaking at number 41 in the UK Singles Chart. The title track features droning guitars (an early staple) and the swooning dual vocals of Neil Halstead and Rachel Goswell, while the. ![]() They were definitely falling toward a mood-over-song structure at this point. "Slowdive" was released on 1 October 1982 by record label Polydor. Slowdive's first release is their weakest effort, but it's still a good cluster of somnambulist soundscapes and inert sonic haze. They change course again musically, too, switching from brooding rock to psychedelic pop". The Guardian's music critic Dave Simpson deemed it one of the band's very best recordings, noting that it "sounds like the lid being slowly released on a pressure cooker, as the band emerge from the black and flit from suspense to sensuality. AllMusic later described "Slowdive" as "a violin-colored dance beat number" with "a catchy melodic hook". The overtones of the song were accentuated by a string section, including violins and a cello. The song (and the album) was representative of Siouxsie and the Banshees' more elaborate and experimental musical direction at the time. ![]()
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